SPECIES
Il dormiente – simile in questo al folle – intraprende attraverso il suo corpo un viaggio macrocosmico: grazie allo straordinario affinamento della sua autopercezione, i rumori e le sensazioni dei suoi organi interni – pressione del sangue, movimenti intestinali, battito cardiaco e tensioni muscolari – che nell'individuo sano e sveglio si perdono nella risacca della buona salute, generano le immagini del delirio o del sogno che ne danno una traduzione o spiegazione.
Walter Benjamin, I “Passages” di Parigi, (1927-1940).
The art of photography that measures itself with his age. The human species shapes thebody in an endless profiles and changes with the changing of the several nuances of experience.
The objective lays bare the humanity of those who move into the urban space and interactwith it.
Mutants that inhabit a suspended scenarios cities, the same that the absent-minded passerby does not note and that the lens is able to focus, highlighting suggestions, difficulties and contradictions. They are bodies that tell an everyday landscape from adifferent, other angle. They whisper, crystallize expressions, stop on paper a large emotional spectrum that accompanies the encounter with the other, with an unknown to us,however, very close. These environmental portraits can capture the human species in itsmost instinctive form, the form in which beauty emerges beyond the purely aesthetic codes, and the body itself, filtered by experience, returns obsessions and flattery, revisiting itself up to become a means of representation.